The tactical stealth elements of Breakpoint are its highpoints, which is a shame, because it’s not that. It’s a neat idea, since so much of Breakpoint is optimized for cooperative play and largely more fun that way, but it shatters any illusion of the one-man-army survivalist being hunted through the wilds of Auroa that Breakpoint is clearly trying to sell. That feeling of being trapped behind enemy lines is further diluted when you arrive at the player hub – a clandestine mountain-cave home base for the islands’ natives, the homesteaders, the tech-company refugees and all other players in Breakpoint. Cole Walker (played by The Punisher’s Jon Bernthal) and his elite Wolves, I never would’ve expected to spend the next 40 hours managing a deluge of multi-colored, incremental gear upgrades so I could participate in an as-yet-unreleased raid at some point in the future. In the opening moments when you’re stranded alone on an island after your chopper goes down and have to dodge patrols of paramilitary thugs, then hide in the trees from the treacherous Col. It’s very much a gameplan outline in the games-as-a-service model, and while it reinforces you’re getting stuff done, it feels at odds with the mission statement of a traditional Ghost Recon game. You’ll need your Gear Score at a certain level to undertake the deadlier content in Breakpoint, but in order to get higher-level drops you’ll need to increase your level by doing quests and earning XP.

There’s some depth added in that many of those progression systems rely on one another. You’ll never feel like you’re not getting something out of the time you’re spending.

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